Claude Monet

Dix marines d'Antibes de M. Claude Monet, Galerie Boussod, Valadon et Cie., Paris, 1888

possibly Monet-Rodin, Galerie Georges Petit, Paris, June 21–August 1889, no. 102

Pictures by Claude Monet, Lotos Club, New York, 1899, no. 17

Loan Exhibition of Paintings at the Carnegie Institute, Carnegie Institute, Pittsburgh, 1902/03, no. 112

A Loan Exhibition of Paintings by Claude Monet 1840–1926, Wildenstein & Co., New York, 1945, no. 54

Cien Años de Pintura Moderna 1840–1940: Muestra de Pintura Moderna de las Colecciones Particulares de Caracas, Sala de Exposiciones Fundacion Eugenio Mendoza, Caracas, 1957, no. 5

Exposition Claude Monet, Galerie Durand-Ruel, Paris, 1970, no. 36

Claude Monet, Seibu Museum of Art, Tokyo; Kyoto Municipal Museum and Cultural Center, Fukuoka, 1973, no. 49

Hommage à Claude Monet (1840–1926), Grand Palais, Paris, 1980, no. 95

Monet and the Mediterranean, Kimbell Art Museum, Fort Worth, June 8–September 7, 1997; Brooklyn Museum of Art, October 10, 1997–January 4, 1998, no. 54

Monet, Fondation Beyeler, Riehen/Basel, January 22–May 28, 2017

Monet & Architecture, The National Gallery, London, April, 9–July 29, 2018, no. 68

Claude Monet: The Truth of Nature, Denver Art Museum, October 20, 2019–February 2, 2020 and Monet. Orte, Museum Barberini, Potsdam, February 22–July 19, 2020, no. 109

Impressionism: The Hasso Plattner Collection, Museum Barberini, Potsdam, from June 2024

June 4, 1888, Boussod, Valadon et Cie., Paris, purchased from the artist
June 14, 1888, Paul Aubry, Paris, acquired from the above
May 10, 1897, Galerie Georges Petit, Paris, lot 19, consigned by the above
Galerie Durand-Ruel, Paris and New York, acquired at the above sale
July 22, 1897, William H. Fuller, New York, acquired from the above
March 12/13, 1903, The American Art Association, New York, lot 149, consigned by the estate of the above
until ca. 1915, George Augustus Dowden, Newark, acquired at the above sale
by 1957, Pedro Valenilla de Echeverría, Caracas
May 1962, Wildenstein & Co., New York, acquired from the above
November 1962, Florence J. Gould, Juan-les-Pins, acquired from the above
April 24, 1985, Sotheby's, New York, lot 41, consigned by the estate of the above
n.d., Private Collection, Japan, acquired at the above sale
by 1997, Yasuji Hatano, Tokyo
May 12, 1999, Christie’s, New York, lot 32
Private Collection, Unites States, acquired at the above sale
February 3, 2015, Sotheby's, London, lot 8, consigned by the estate of the above
Private Collection, Europe, acquired at the above sale
May 15, 2024, Sotheby's, New York, lot 33, consigned by the above

Gustave Geffroy, “Dix Tableaux de Claude Monet”, in: La Justice (June 17, 1888), p. 1.

Eaque [Paul Robert], “Claude Monet”, in: Le Journal des Arts (July 6, 1888).

possibly Monet-Rodin, exh. cat. Galerie Georges Petit, Paris 1889, no. 102 (titled Antibes, vue de la Salice).

possibly Alphonse de Calonne, “L’art contre nature,” in: Soleil (June 23, 1889), no. 102.

Gustave Geffroy, “Histoire de l’Impressionnisme”, in: La Vie artistique, no. 3, vol. II, Paris, 1894, p. 79.

Pictures by Claude Monet, exh. cat. Lotos Club, New York 1899, no. 17 (titled Morning at Antibes).

William H. Fuller, Claude Monet and His Paintings, New York 1899, no. 17, p. 17–18.

Loan Exhibition of Paintings at the Carnegie Institute, exh. cat. Carnegie Institute, Pittsburgh 1902–03, no. 112 (titled Dawn at Antibes).

“W. H. Fuller's Monets Sold”, in: The Sun LXX (March 14, 1903), no. 195, p. 2.

“Some Recent Art Sales”, in: Brush & Pencil 12 (April 1903), no. 1, p. 75 (titled Dawn at Antibes).

Gustave Geffroy, Claude Monet. Sa vie, son temps, son œuvre, vol. 4, Paris 1922, p. 278–90.

A Loan Exhibition of Paintings by Claude Monet 1840–1926, exh. cat. Wildenstein & Co., New York 1945, no. 54, p. 47 (titled Vue d'Antibes, Le Matin).

Cien Años de Pintura Moderna 1840–1940. Muestra de Pintura Moderna de las Colecciones Particulares de Caracas, exh. cat. Sala de Exposiciones Fundacion Eugenio Mendoza, Caracas 1957, no. 5, ill. p. 9 (titled Antibes).

Gaston Diehl, El arte moderno francés en Caracas, Caracas 1959, no. 6, p. 16 (titled Antibes).

Daniel Wildenstein, Monet. Impressions, Lausanne 1967, p. 49.

Exposition Claude Monet, exh. cat. Galerie Durand-Ruel, Paris 1970, no. 36, table 36.

Denis Rouart and Jean-Dominique Rey, Monet: Nymphéas ou les miroirs du temps. Suivi d‘un catalogue raisonné par Robert Maillard, Paris 1972, p. 49.

Luigina Rossi Bortolatto, L‘Opera Completa di Claude Monet 1870–1889, Milan 1972, no. 322, p. 109.

John Rewald, “Theo van Gogh, Goupil, and the Impressionists”, in: Gazette des Beaux-Arts LXXXI (January–February 1973), p. 25.

Claude Monet, exh. cat. Seibu Museum of Art, Tokyo 1973, no. 49, ill.

Daniel Wildenstein, Claude Monet. Biographie et catalogue raisonné, vol. 3, Lausanne 1979, no. 1167, p. 5, note. 653; p. 7; p. 80, note. 1413, letter no. 1392; pièce justificative no. 116; p. 102; ill. p. 103.

Hommage à Claude Monet (1840–1926), exh. cat. Grand Palais, Paris 1980, no. 95, p. 275–77, ill. p. 276.

John House, Monet. Nature into Art, New Haven 1986, p. 187.

Claude Monet – Auguste Rodin. Centenaire de l'exposition de 1889, exh. cat. Musée Rodin, Paris 1989, p. 56 and 91.

Monet and the Mediterranean, exh. cat. Kimbell Art Museum, Fort Worth 1997, no. 54, ill. p. 127.

Daniel Wildenstein, Claude Monet. Biographie et catalogue raisonné, vol. 5, Lausanne 1991, no. 1167, p. 46.

Paul Hayes Tucker, Claude Monet. Life and Art, New Haven 1995, no. 150, p. 132.

Daniel Wildenstein, Monet. Catalogue Raisonné. Werkverzeichnis, vol. 3, Cologne 1996, no. 1167, p. 443–44. (no. 1169 illustrated incorrectly in place of no. 1167)

Richard Kendall, Monet by Himself. Paintings, Drawings, Pastels, Letters, London 2004, ill. table 163.

Christiane Éluère, Monet et la Riviera, Paris 2006, no. 96, p. 128.

Monet, exh. cat. Fondation Beyeler, Riehen/Basel 2017, ill. p. 103.

Monet & Architecture, exh. cat. The National Gallery, London 2018, no. 68, ill. p. 77.

Monet: Places, exh. cat. Museum Barberini, Potsdam 2020, no. 109, p. 227.