Eugène Boudin
Camaret: The Port, 1876
On view
5 further works by Boudin
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Oil on canvas, 41 x 63 cm
Signed and dated lower right: E. Boudin - 76 -
Inv.-no. MB-Bou-03
Eugène Boudin rendered the changing light conditions in the harbor, the animated sky, and the countless tones of gray in the clouds. In contrast to this, the ships are represented in tones of green and red. Boudin’s low-lying horizon followed the seventeenth-century Dutch tradition by which the largest portion of the picture surface was devoted to the sky.
Eugène Boudin 1824–1898: Retrospective Exhibtion, Hirschl & Adler Galleries, New York, November 2–26, 1966, no. 13
Eugène Boudin 1824–1898, Galerie Schmit, Paris, May 7–July 12, 1980, no. 18
Eugène Boudin 1824–1898, M. Knoedler, New York, November 10–December 12, 1981, no. 13
Impressionism: The Art of Landscape, Museum Barberini, Potsdam, January 21–May 28, 2017, no. 6
Impressionism: The Hasso Plattner Collection, Museum Barberini, Potsdam, from September 5, 2020
n.d., Paul Détrimont, Paris
n.d., Gérard, Paris
n.d., Private collection
1980, Galerie Schmit, Paris
March 22, 2006, Pierre Bergé & Associés, Paris, lot 60
August 17, 2006, Deauville Auction, Deauville, lot 292, unsold
October 2008, Art trade
Eugène Boudin 1824–1898: Retrospective Exhibtion, exh. cat. Hirschl & Adler Galleries, New York 1966, no. 13
Robert Schmit, Eugène Boudin 1824–1898: Catalogue raisonné de l’œuvre peint, vol. 1, Paris 1973, no. 704, p. 254, ill. p. 254
Eugène Boudin, exh. cat. Galerie Schmit, Paris 1980, no. 18
Eugène Boudin 1824–1898, exh. cat. M. Knoedler & Co., New York 1981, no. 13
Impressionism: The Art of Landscape, exh. cat. Museum Barberini, Potsdam 2017, no. 6, ill. p. 98
Impressionism: The Hasso Plattner Collection, exh. cat. Museum Barberini, Potsdam 2020, p. 66, 263, ill. p. 67, 263
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